{"id":645,"date":"2014-05-28T09:20:34","date_gmt":"2014-05-28T07:20:34","guid":{"rendered":"http:\/\/www.gianfrancodalonzo.net\/?page_id=645"},"modified":"2015-02-12T16:57:49","modified_gmt":"2015-02-12T15:57:49","slug":"learning-20092012-accademia-di-belle-arti-napoli","status":"publish","type":"page","link":"https:\/\/www.gianfrancodalonzo.net\/?page_id=645","title":{"rendered":"Learning 2009\/2012  Accademia di Belle Arti Napoli"},"content":{"rendered":"<h2 data-wpview-pad=\"1\"><\/h2>\n<h2 style=\"text-align: center;\" data-wpview-pad=\"1\"><\/h2>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><\/h1>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><\/h1>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><\/h1>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><span style=\"color: #c0c0c0;\">Accademia di Belle Arti di Napoli<\/span><\/h1>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><\/h1>\n<p>&nbsp;<\/p>\n<h1 style=\"text-align: center;\" data-wpview-pad=\"1\"><span style=\"color: #c0c0c0;\">2011 &#8211; 2012<\/span><\/h1>\n<h1 style=\"text-align: center;\"><\/h1>\n<h2 style=\"text-align: center;\"><span style=\"color: #c0c0c0;\">Biennio Specialistico di \u00a0Grafica d\u2019Arte<\/span><\/h2>\n<h4 style=\"text-align: center;\"><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"color: #c0c0c0;\">prof. Gianfranco D\u2019Alonzo<\/span><\/h4>\n<p><span style=\"color: #808080;\">\u00a0<\/span><\/p>\n<h4><\/h4>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #808080;\">Opere collettive<\/span><\/h3>\n<p><span style=\"color: #808080;\">Lo studente ha lavorato su matrici, realizzate dal docente, che propongono diversi gradi di difficolt\u00e0 e due percorsi opposti nelle modalit\u00e0 di stampa.\u00a0In <strong><em>Stars like chatting while cluster bombs are playing apart<\/em> <\/strong>\u00e8 stata richiesta una interpretazione della matrice svincolata dalle rigide regole della riproducibilit\u00e0 seriale.\u00a0In <strong><em>Curva pericolosa<\/em><\/strong>, al contrario, lo studente si \u00e8 dovuto avvicinare il pi\u00f9 fedelmente possibile al modello di stampa predefinito.\u00a0Le diverse fasi, d\u2019 incisione e di stampa, sono state ulteriormente sviluppate per accedere ad un livello espressivo derivato dal confronto tra le medesime e lo spazio, fino ad acquisire uno status di opera potenzialmente scissa dal linguaggio da cui ha tratto origine.<\/span> <span style=\"color: #808080;\">\u00a0<\/span> Partecipanti <em><span style=\"color: #808080;\"> Maria Tirotta, Francesco Damigella, Alessandra Donnarumma, Ada Riccio, Costanza fraia, Annalisa Torelli, Paolo Aiello, Fortuna Russo, Ya Quiong (Luna), Zong Xuan (Giovanna), Huiqun ( Milena), Sara D\u2019Amore, Cristina Vento, Rita Tomasulo, Sabina Maresca<\/span><\/em> <span style=\"color: #808080;\">\u00a0<\/span><\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h4><strong><em>Stars like chatting while cluster bombs are playing apart<\/em><\/strong><\/h4>\n<p><span style=\"color: #808080;\"> Puntasecca, acquatinta, acquaforte e interventi diretti su zinco.<\/span> <span style=\"color: #808080;\"> Stampe monotipo su carta Fabriano. Chiodi.<\/span> <span style=\"color: #808080;\"> Lastra &#8211; mm 167 x 248<\/span> <span style=\"color: #808080;\"> Stampe &#8211; mm 500 x 700<\/span> <span style=\"color: #808080;\"> Allestimento &#8211; cm 750 x 70<\/span><\/p>\n<h3><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-672\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/b1.jpg\" alt=\"b\" width=\"1024\" height=\"569\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/b1.jpg 1024w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/b1-300x166.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/h3>\n<p>&nbsp;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 12%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-645 gallery-columns-8 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/111.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/111-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/24.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/24-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/32.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/32-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/42.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/42-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/51.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/51-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/61.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/61-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/71.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/71-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/81.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/81-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/91.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/91-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/101.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/101-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/112.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/112-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/121.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/121-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/131.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/131-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/141.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/141-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/151.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/151-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/01.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/01-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-717\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-717'>\n\t\t\t\tLa lastra\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2 data-wpview-pad=\"1\"><\/h2>\n<h2 data-wpview-pad=\"1\"><\/h2>\n<h4><strong><em>\u00a0Curva pericolosa<\/em><\/strong><\/h4>\n<p><span style=\"color: #808080;\">Acquatinta e puntasecca su zinco<\/span> <span style=\"color: #808080;\"> Stampe su carta Fabriano<\/span> <span style=\"color: #808080;\"> Lastra &#8211; mm 400 x 400<\/span> <span style=\"color: #808080;\"> Stampe &#8211; mm 410 x 410<\/span> <span style=\"color: #808080;\"> Allestimento &#8211; cm 615 x 41<\/span> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-673\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a11.jpg\" alt=\"a1\" width=\"1024\" height=\"609\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a11.jpg 1024w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a11-300x178.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-652\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a1.jpg\" alt=\"a\" width=\"3736\" height=\"1784\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a1.jpg 3736w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a1-300x143.jpg 300w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/a1-1024x488.jpg 1024w\" sizes=\"auto, (max-width: 3736px) 100vw, 3736px\" \/><\/p>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h4><strong>GIORNALE DALL&#8217;I<\/strong><strong>TALIA \u00a0&#8211; \u00a0<\/strong><em><strong>Sguardi dell&#8217;Oriente<span style=\"color: #808080;\"><strong>\u00a0<\/strong><\/span><\/strong><\/em><\/h4>\n<h3><em><strong>Galleria del Giardino<\/strong><\/em><\/h3>\n<h3><span style=\"color: #c0c0c0;\"><strong>15 \u2013 19 ottobre 2012<\/strong><\/span><\/h3>\n<h3><span style=\"color: #c0c0c0;\"><strong>a cura di Gianfranco D&#8217;Alonzo<\/strong><\/span><\/h3>\n<h2><\/h2>\n<p><span style=\"color: #808080;\">\u00a0<\/span> <span style=\"color: #808080;\">\u00a0<\/span><span style=\"color: #808080;\">La mostra raccoglie i lavori di tre studentesse cinesi <strong>HE\u00a0 HUIQUN, SU YAQIYONG <\/strong><strong>e <\/strong><strong>ZHANG ZONGXUAN<\/strong><strong>,<\/strong> con la collaborazione di <strong>Alessandra Donnarumma <\/strong>e<strong> Annalisa Torelli, <\/strong>e riassume contestualmente il lavoro svolto con il prof. Gianfranco D&#8217;Alonzo durante il Biennio di Specializzazione in Grafica D&#8217;Arte \u00a0. L&#8217;attivit\u00e0 didattica \u00a0\u00e8 stata incentrata sulla ricerca dell&#8217;opera di padre <strong>Matteo Ripa,<\/strong> incisore alla corte dell\u2019Imperatore\u00a0 <strong>cinese Kangxi dal 1711 al 1716, <\/strong>e del valore politico &#8211; religioso assunto dal suo laboratorio di incisione che port\u00f2 l&#8217;Oriente a conoscenza della Calcografia e divenne in seguito il primo \u00a0nucleo del Collegio dei Cinesi di Napoli<\/span>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-645 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/foto-mlg.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/foto-mlg-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/pieghevole.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/pieghevole-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/pieghevole-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/pieghevole-1-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/1_-SU-YAQIYONG-Luna-2011-300-dpi-129x16cm.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/1_-SU-YAQIYONG-Luna-2011-300-dpi-129x16cm-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-684\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-684'>\n\t\t\t\t SU YAQIYONG  Luna \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/2_-ZHANG-ZONGXUAN-Giovanna-2011-300-dpi-129x16cm.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/2_-ZHANG-ZONGXUAN-Giovanna-2011-300-dpi-129x16cm-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-685\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-685'>\n\t\t\t\t ZHANG ZONGXUAN Giovanna \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/3_-HE-HUIQUN-Milena-2012-300-dpi-129x16cm.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"250\" src=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/3_-HE-HUIQUN-Milena-2012-300-dpi-129x16cm-150x250.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-686\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-686'>\n\t\t\t\t HE  HUIQUN Milena\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h1><\/h1>\n<h1><\/h1>\n<h1><\/h1>\n<h1><\/h1>\n<h3>Seminari di studi e ricerca<\/h3>\n<h3><\/h3>\n<h2><\/h2>\n<h5 style=\"text-align: justify;\"><em>No click! Matteo Ripa, ovvero, inattualit\u00e0 dell\u2019opera incisa<\/em><\/h5>\n<p style=\"text-align: justify;\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-691 alignright\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/kangxi.jpg\" alt=\"kangxi\" width=\"186\" height=\"320\" \/><em>A cosa pu\u00f2 portare l\u2019essere obbligati a produrre delle incisioni nella totale mancanza di strumenti e con una \u201cmissione\u201d da\u00a0<\/em><em>compiere? Nella\u00a0Cina del \u2018700, alla Corte dell\u2019Imperatore Kangxi, Padre Matteo Ripa si trov\u00f2 in queste condizioni e ci\u00f2 che ne scatur\u00ec fu determinante per il futuro\u00a0<\/em><em>della chiesa e dei popoli, e fu il nucleo di lavoro sul quale venne istituito il Collegio dei Cinesi di Napoli.<\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #808080;\">Nella sua prima fase, la proposta \u00e8 indirizzata agli studenti Cinesi che intendono seguire il corso di Grafica d\u2019Arte nell\u2019 ambito del Progetto Turandot. E\u2019 un primo passo verso il progetto di ricerca che invece coinvolge studenti del Biennio Specialistico e studenti di Universit\u00e0 Cinesi disponibili ad accordi bilaterali per l\u2019elaborazione di materiale grafico e teorico sull\u2019 identit\u00e0 di laboratorio di incisione e la sua valenza culturale nel contemporaneo. Obiettivo del progetto, che si prevede debba durare almeno un triennio, \u00e8 che il tema diventi un percorso di ricerca, a diversi livelli, sotto forma di produzione artistica, tesi, seminari, studi specifici , gruppi di lavoro misti , pubblicazioni, collaborazioni con istituzioni culturali e facolt\u00e0 interessate al tema: l\u2019 incisione come bene culturale che diventa linguaggio creativo.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #808080;\"> Nei laboratori di \u201dsemina\u201d si vuole allo stesso tempo indagare (svelare?): le potenzialit\u00e0 autoreferenziale dell\u2019incisione quando l\u2019assenza degli strumenti specifici incoraggia il riaffiorare del gesto originario (da cui nasce?); al contrario, la capacit\u00e0 che la disciplina ha di operare in territori\u00a0diversi, dove la corresponsabilit\u00e0 e la trasversalit\u00e0 \u00e8 ben rappresentata dalla stessa propria metodica, complessa e versatile.\u00a0<\/span> <span style=\"color: #808080;\">a) L\u2019attivit\u00e0 di ricerca \u00a0si concentra sull\u2019 opera di padre Matteo Ripa come incisore alla corte dell\u2019Imperatore cinese Kangxi, dal 1711 al 1716.<\/span> <span style=\"color: #808080;\"> b) Accolto come pittore insieme ad altri missionari, a Ripa capit\u00f2 di &#8220;proporsi&#8221; incisore sebbene non conoscesse la tecnica, se non i rudimenti. La missione gesuita in Cina aveva tradizione e solidit\u00e0, con presenze qualificate nei diversi ambiti della conoscenza (pittura, matematica, musica, astronomia, cartografia ), ed era attivo un serrato confronto ideologico oltre che culturale. Le incisioni di Matteo Ripa, poich\u00e9 care all\u2019\u00a0imperatore, furono un mezzo di \u201cmediazione\u201d nell\u2019 ambito di una trattativa politico \u2013 religiosa che spesso metteva a rischio la missione.<\/span> <span style=\"color: #808080;\"> c) L\u2019incisione calcografica era espressione \u201cnaturale\u201d del luogo ( Europa) e, come la religione, difficilmente trasferibile in un contesto culturale differente: la tipicit\u00e0 della disciplina e il suo legame indissolubile con il laboratorio e con la geografia, s\u2019innestano nelle problematiche del contenzioso politico-religioso . In oriente la calcografia non era conosciuta e la stampa dell\u2019immagine attraverso figure di sagome di legno era frutto di una diversa visione del mondo. La proposta di un nuovo modo di interpretare e restituire la realt\u00e0 attraverso immagini riproducibili senza perdere la matrice sta alla base del laboratorio che fu allo stesso tempo seminario e ambiente di proselitismo, artistico e religioso . Poco dopo diventer\u00e0, da questa parte del mondo, il nucleo di una istituzione culturale.<\/span> <span style=\"color: #808080;\"> d) Nel frattempo la grafica d\u2019arte perde il suo potere mediatico e diventa attivit\u00e0 di nicchia: poetico- autoreferenziale, fuori tempo , emblema di un pensiero non utile e perci\u00f2 irrituale, con codici e statuti immutati. Il breve elenco abbozza un \u201cvalore specifico\u201c del laboratorio (inteso come ambiente del linguaggio e della disciplina) che gli viene di fatto assegnato e restituito paradossalmente dalla perdita di quel potere sulla moltiplicazione delle immagini e sull\u2019 informazione che ha posseduto in passato.<\/span> <span style=\"color: #808080;\"> e) Una prima fase di studio e di riflessione (vedi anche bibliografia ) ha portato alla elaborazione di una\u00a0didattica e basata sulla ricerca svolta\u00a0nel biennio di specializzazione.<\/span> <span style=\"color: #808080;\"> f) Un progetto di studi, dal punto di vista di un artista e incisore, sull\u2019 operato di Matteo Ripa \u00e8 stato \u00a0tema di dialogo con il prof. Michele Fatica, Storico dell\u2019Universit\u00e0 degli Studi di Napoli \u201cL\u2019Orientale\u201d, nonch\u00e9 Presidente del Centro Studi Matteo Ripa e Collegio dei Cinesi, recentemente istituito, con il quale si \u00e8 instaurata una preziosa collaborazione vista la sua disponibilit\u00e0 nel fornire materiale di studio di prima mano : &#8220;<em>come gli europei riuscirono ad affascinare i governanti di un paese che si riteneva il pi\u00f9 civile della terra \u00e8 la domanda a cui hanno risposto almeno 5 generazioni di sinologi. L&#8217;astronomia, la previsione esatte delle eclissi, la tecnologia degli armamenti (cannoni di bronzo che centravano il bersaglio)<\/em><em>, l&#8217;architettura, la pittura con la prospettiva, la musica (Teodorico Pedrini), l&#8217;incisione su rame (Matteo Ripa) furono gli strumenti decisivi per essere accettati in un paese ermeticamente chiuso. I governanti cinesi ammettevano solo \u00abgli extracomunitari\u00bb che portavano scienze, tecniche e conoscenze ignote ai cinesi. La soppressione della Compagnia di Ges\u00f9 nel 1773 cre\u00f2 un gap tra scienza cinese e scienza occidentale che solo la liberazione della Cina realizzata da Mao Zedong ha in parte colmato. E&#8217; una storia nota a pochi, ma che, forse, vale la pena di diffonderla tra i pi\u00f9. Con cordialit\u00e0 Michele Fatica&#8221;<\/em><em>.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">Bibliografia Matteo Ripa<em> Giornale (1705-1724),<\/em> a cura di Michele Fatica, Vol.II (1711-1716), Istituto Universitario Orientale- collana \u201cMatteo Ripa\u201d XIV, Napoli 1996; Catalogo della mostra <em>Matteo Ripa e il Collegio dei Cinesi di Napoli (1682-1869)<\/em>, a cura di Michele Fatica, Archivio di Stato di Napoli, 18.11.2006- 31.03.2007<\/p>\n<p style=\"text-align: justify;\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-698 alignnone\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/copertina-tesi.jpg\" alt=\"copertina tesi\" width=\"1024\" height=\"768\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/copertina-tesi.jpg 1024w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/copertina-tesi-300x225.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h3 style=\"text-align: center;\"><\/h3>\n<h3 style=\"text-align: center;\"><\/h3>\n<h3 style=\"text-align: center;\"><em>Giornale dall\u2019 Italia 2010-2012<\/em><\/h3>\n<p style=\"text-align: center;\">Tesi di <em>He Huiqun Milena<\/em> <em>Su Yaqiong Luna<\/em> <em>Zhang Zongxuan Giovanna<\/em><\/p>\n<h6 style=\"text-align: center;\">RELATORE : Prof. Gianfranco D\u2019Alonzo<\/h6>\n<p><span style=\"color: #808080;\"><strong>Introduzione al Diario<\/strong><\/span> <span style=\"color: #808080;\">\u00a020 Settembre 2012 Sereno<\/span> <span style=\"color: #808080;\">Alla nostra partenza, a Pechino, eravamo molto turbate per il viaggio che stavamo per affrontare. Dopo quindici ore siamo arrivate in Italia. Era la prima volta che andavamo fuori dal nostro Paese, cos\u00ec lontano da casa nostra, e la vita che ci aspettava era piena di incertezze. I successivi due anni abbiamo incontrato molte difficolt\u00e0, che ci erano sconosciute in Cina, che ci hanno reso pi\u00f9 forti e indipendenti di prima. Questo volume riporta aspetti e momenti delle nostre esperienze di vita e di studio in Italia.<\/span> <span style=\"color: #808080;\"><em>Milena, Luna, Giovanna<\/em><\/span> <span style=\"color: #808080;\">\u00a0<\/span> \u00a0 \u00a0 \u5e8f\u8a00 \u00a0 \u8fd8\u8bb0\u5f972012\u5e7410\u6708\u6211\u4eec\u4e00\u884c\u4eba\u6000\u7740\u5fd0\u5fd1\u7684\u5fc3\u60c5\u4ece\u5317\u4eac\u51fa\u53d1\uff0c\u7ecf\u8fc7\u5341\u51e0\u4e2a\u5c0f\u65f6\u7684\u822a\u7a0b\u5230\u8fbe\u4e86\u610f\u5927\u5229\uff0c\u8fd9\u662f\u6211\u4eec\u5927\u5bb6\u7b2c\u4e00\u6b21\u53bb\u8fd9\u4e48\u8fdc\u7684\u5730\u65b9\uff0c\u5bf9\u4e8e\u524d\u65b9\u7684\u8def\u6211\u4eec\u611f\u5230\u5f88\u8ff7\u832b\u3002 \u4e24\u5e74\u5728\u610f\u5927\u5229\u7684\u751f\u6d3b\uff0c\u6211\u9047\u5230\u4e86\u8bb8\u591a\u4ece\u524d\u4ece\u672a\u9047\u5230\u7684\u56f0\u96be\uff0c\u8fd9\u4e9b\u56f0\u96be\u8ba9\u6211\u53d8\u5f97\u66f4\u52a0\u72ec\u7acb\u4e0e\u575a\u5f3a\u3002\u6211\u628a\u8fd9\u4e24\u5e74\u7684\u5b66\u4e60\u4e0e\u751f\u6d3b\u603b\u7ed3\u6210\u4e86\u4e00\u672c\u4e66\uff0c\u5e0c\u671b\u8fd9\u672c\u4e66\u662f\u4e00\u672c\u5b8c\u7f8e\u7684\u7b54\u5377\u3002 \u4f55\u6167\u7fa4\uff0c\u82cf\u4e9a\u743c\uff0c\u5f20\u5b97\u7487 <span style=\"color: #808080;\"><strong>Introduzione al Viaggio<\/strong><\/span> <span style=\"color: #808080;\">Il Viaggio, Dimensione Incerta ai miei occhi, nel suo perpetuo scomporsi in spazio e tempo, non sempre risponde alla pretesa di previsione dell\u2019Accadere. Raggiante nella sua struttura percorribile. Puntuale nel suo turbamento. Capace, tuttavia, di sostituire l\u2019assenza delle Geografie d\u2019Origine con il ritrovamento di Se. <\/span> <span style=\"color: #808080;\">Intimo processo metabolico delle distanze: il Diario. Sosta analitica eloquente. Confidente che prima Accompagna e poi Testimonia. Promuove l\u2019Appunto. Inchioda il pensiero e ci si Sofferma. Taglia il Silenzio di traverso, concedendo voce ai nuovi luoghi. Mai vago nel ribadir \u201cnon so..\u201d. <\/span> <span style=\"color: #808080;\">Un sol segno riconsegna l\u2019Umore, ne conserva la Forza, ne preserva l\u2019Istinto. Animale dall\u2019insolito viso. Uomo. Uomo solo. Il tuo gesto segna il Passaggio: in un graffio insiste il tuo andare; dimora nel Punto l\u2019attesa del Ritorno.<\/span> <span style=\"color: #808080;\">Tappa d\u2019obbligo il Laboratorio: Sala parto. Fucina ardente. Condizione necessaria a molare la timidezza. L\u2019uomo solo forgia il verbo sospeso. Fluttuanti, i segreti vengono a galla. Uomini soli si confessano a vicenda. Osmosi imprevedibile. <\/span> <span style=\"color: #808080;\">Scalfiscono il Pallore con cauto lavorio operoso. Tengono il tempo nel batter la punta. Comune il gemito nel ghermir la Prima Luce. Cos\u00ec non si ferma, il moto non cessa. <\/span> <span style=\"color: #808080;\">Quel che fu il Viaggio, mente di Ritorno il Viaggio che ricomincia.<\/span> <span style=\"color: #808080;\"><em>Alessandra Donnarumma<\/em><\/span> \u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-696\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi.jpg\" alt=\"tesi\" width=\"712\" height=\"1024\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi.jpg 712w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi-300x431.jpg 300w\" sizes=\"auto, (max-width: 712px) 100vw, 712px\" \/> \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"color: #808080;\">08 Novembre 2011 Sereno<\/span> <span style=\"color: #808080;\">Nel mese di Novembre 2011, il prof. D\u2019Alonzo mi consiglia di partecipare ad un convegno didattico dal titolo \u201cPrimo Segnare\u201d curato dal prof. Guido Strazza, presso l\u2019Accademia di San Luca di Roma &#8211; di cui \u00e8 presidente -, artista che ha speso una vita intera nella ricerca espressiva dell\u2019incisione calcografica oltre ad avere svolto un\u2019intensa attivit\u00e0 didattica.<\/span> <span style=\"color: #808080;\">Sul tema del pensare, del fare e dell\u2019interpretare i segni dell\u2019arte, anche in rapporto alla parola, alla musica e alla scienza: questa la traccia del seminario che \u00e8 durato 5 giorni di lezioni-conferenze e 2 giorni di laboratorio.<\/span> <span style=\"color: #808080;\">E\u2019 la prima esperienza di tirocinio che faccio in Italia e ho molte aspettative. Ma \u00e8 un impegno che mi confonde molto, perci\u00f2 arrivo all\u2019Accademia di San Luca un p\u00f2 inquieta. I primi tre giorni ci sono le lezioni teoriche, che ho seguito con attenzione anche se \u00e8 stato difficile capire, quindi c\u2019\u00e8 perplessit\u00e0. Non c&#8217;\u00e8 niente da fare, posso solo aspettare le lezioni di laboratorio.<\/span> <span style=\"color: #808080;\">In questo tirocinio ho studiato prevalentemente puntasecca, con tre professori: Guido Strazza, Giulia Napoleone e Elisabella Diamanti.<\/span> <span style=\"color: #808080;\">Ho dedicato due giorni agli esercizi a puntasecca. Ho inciso tre lastre : la prima non piaceva molto al professor Strazza perch\u00e9 il segno era poco libero, \u201cbloccato\u201d. La critica mi \u00e8 stata utile perch\u00e9 le successive sono migliorate. Gradualmente comincio a capire il significato di questo laboratorio e cio\u00e8 comprendere cos\u2019\u00e8 la puntasecca e le diverse possibilit\u00e0 espressive che propone.<\/span> <span style=\"color: #808080;\">Si incide direttamente la lastra con la punta (di acciaio o di leghe speciali ) che non asporta il metallo, ma lo deforma, come l&#8217;aratro deforma la terra, creando ai bordi del solco delle sopraelevazioni, chiamate barbe, molto pi\u00f9 accentuate di quelle del bulino. Queste barbe vengono conservate e si affida anzi alla loro capacit\u00e0 di trattenere l&#8217;inchiostro la qualit\u00e0 di questa tecnica che rende i segni molto sensibili, <\/span> <span style=\"color: #808080;\">dal pi\u00f9 delicato al pi\u00f9 forte, con i bordi sfumati. Le barbe sono ben presto deformate dalle puliture, dall\u2019inchiostrazione e dalla pressione del torchio e questo determina una forte limitazione del numero di copie da stampare.<\/span> <span style=\"color: #808080;\">Infine, \u00e8 stata un\u2019occasione per comprendere il valore della libert\u00e0 dei segni a puntasecca nonostante io la conoscessi poco.<\/span> <span style=\"color: #808080;\">E\u2019 stata un\u2019esperienza utile dal punto di vista umano per aver lavorato insieme ad altre persone in una citt\u00e0 e in un ambiente che non conoscevo.<\/span> <span style=\"color: #808080;\">Visto l\u2019impegno che richiedeva la partecipazione alle lezioni, ma soprattutto al laboratorio, dal 7 al 18 novembre mi sono trasferita a Roma dove ho avuto l\u2019occasione di visitare mostre e musei di arte antica e contemporanea.<\/span> \u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-695\" src=\"http:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi-1.jpg\" alt=\"tesi 1\" width=\"783\" height=\"1024\" srcset=\"https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi-1.jpg 783w, https:\/\/www.gianfrancodalonzo.net\/wp-content\/uploads\/2014\/05\/tesi-1-300x392.jpg 300w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/> \u00a0 \u00a0 \u00a0 2011.11.08 \u6674 1\u6708\u4efd\u7684\u65f6\u5019\uff0c\u6211\u4eec\u5728\u7f57\u9a6cSan Luca\u5b66\u9662\u5b9e\u4e60\uff0c\u8fd9\u662f\u6211\u4eec\u5728\u610f\u5927\u5229\u7b2c\u4e00\u6b21\u5b9e\u4e60\u65c5\u7a0b\uff0c\u5b83\u8ba9\u6211\u4eec\u5145\u6ee1\u4e86\u671f\u5f85\uff0c\u4e5f\u9677\u5165\u4e86\u8ff7\u832b\u3002 \u6559\u6388\u6211\u4eec\u8bfe\u7a0b\u7684\u662f\u4e00\u4e2a\u7537\u6559\u6388\uff0c\u4ed6\u53ebGuido Strazza\uff0c\u53e6\u5916\u8fd8\u6709\u4e24\u4e2a\u5e74\u8f7b\u4e00\u4e9b\u7684\u5973\u6559\u6388\uff0c\u4e00\u4e2a\u53ebGiulia Napoleone,\u53e6\u4e00\u4e2a\u53ebElisabella Diamanti\u3002\u5728\u8fd9\u91cc\u6211\u5c31\u4e3b\u8981\u4ecb\u7ecd\u4e00\u4e0bGuido Strazza\u5427\uff0c\u56e0\u4e3a\u4ed6\u662f\u4e3b\u8981\u8d1f\u8d23\u6559\u5b66\u7684\u8001\u5e08\u3002 Guido Strazza 1992\u5e74\u751f\u4e8e\u610f\u5927\u5229\u7684\u4e00\u4e2a\u57ce\u5e02\u5723\u83f2\u62c9\uff0c\u4ed6\u5728\u8fd9\u6240\u57ce\u5e02\u5446\u7684\u65f6\u95f4\u5f88\u77ed\uff0c\u56e0\u4e3a\u4ed6\u7684\u5bb6\u4eba\u60f3\u53bb\u522b\u7684\u5730\u65b9\u6765\u6539\u53d8\u81ea\u5df1\u7684\u547d\u8fd0\u3002\u4ed6\u548c\u5bb6\u4eba\u53bb\u4e86\u70ed\u90a3\u4e9a\uff0c\u5728\u90a3\u91cc\u5b66\u4e60\u548c\u751f\u6d3b\u76f4\u5230\u9ad8\u4e2d\uff0c\u4f46\u662f\u4e3a\u4e86\u7b49\u5f85\u4ed6\u7236\u4eb2\u7684\u5f52\u6765\u4ed6\u548c\u5988\u5988\uff0c\u59d0\u59d0\u4e00\u8d77\u642c\u53bb\u4e86\u7c73\u5170\u30021940\u5e74\u4ed6\u6ce8\u518c\u4e86\u7f57\u9a6c\u67d0\u5927\u5b66\u7684\u5de5\u7a0b\u5e08\u4e13\u4e1a\uff0c\u540e\u6765\u5728\u90a3\u9047\u89c1\u4e86\u4e00\u4f4d\u827a\u672f\u5bb6F.T. Marinetti,\u8fd9\u4f4d\u827a\u672f\u5bb6\u51c6\u5907\u5728\u7f57\u9a6c\u529e\u4e00\u4e2a\u5c55\u89c8\u5e76\u4e14\u53c2\u52a0\u7b2c34\u754c\u5a01\u5c3c\u65af\u53cc\u5e74\u5c55\uff0c\u90a3\u65f6\u5019Guido Strazza 20\u5c81\u3002 \u5bf9\u4e8eGuido Strazza\u6765\u8bf4F.T. Marinetti\u662f\u7b2c\u4e00\u4f4d\u5bf9\u4ed6\u6709\u91cd\u5927\u5f71\u54cd\u7684\u4eba\uff0c\u4ed6\u5f71\u54cd\u4e86Guido Strazza\u7684\u6587\u827a\u601d\u60f3\uff0c\u4ed6\u4f20\u8f93\u7ed9Guido Strazza\u751f\u547d\u529b\u548c\u901f\u5ea6\u7684\u601d\u60f3\u3002 1946\u5e74\u4ed6\u5de5\u7a0b\u5e08\u4e13\u4e1a\u6bd5\u4e1a\uff0cStrazza\u5f88\u5feb\u611f\u89c9\u5230\u5c3d\u7ba1\u4ed6\u4f1a\u6709\u5149\u8f89\u7684\u524d\u7a0b\uff0c\u4f46\u8fd9\u5e76\u4e0d\u662f\u4ed6\u60f3\u8d70\u7684\u9053\u8def\u30021948\u5e74\u4ed6\u653e\u5f03\u4e86\u5de5\u4f5c\u800c\u51fa\u53d1\u53bb\u4e86per\u00f9\u3002 \u4ed6\u53bb\u4e86\u7f8e\u56fd\u5357\u90e8\u548cAgrupaci\u00f2n Espacio\u5408\u4f5c\u4e3a\u4e86\u91cd\u5efa\u9707\u540e\u7684Callao\u57ce\u3002\u5728Rio de Janeiro\u4ed6\u53c8\u9047\u89c1\u4e86\u5bf9\u4e8e\u4ed6\u827a\u672f\u751f\u6daf\u4e2d\u7b2c\u4e8c\u4e2a\u6709\u91cd\u8981\u5f71\u54cd\u7684\u4ebaFayga Ostrower\uff0c\u8fd9\u662fStrazza\u827a\u672f\u751f\u6daf\u7684\u8f6c\u6298\u70b9\u3002Fayga 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Crippa\u4ece\u4e2d\u83b7\u5f97\u8bb8\u591a\u5173\u4e8e\u62bd\u8c61\u7684\u7406\u5ff5\u800c\u4e14\u4ed6\u8fd8\u88abWols\u7684\u7814\u7a76\u5f62\u5f0f\u6240\u5f71\u54cd\u3002\u57281960\u5e74\u52301961\u5e74\u4ed6\u53bb\u8377\u5170\u5446\u4e86\u4e00\u6bb5\u65f6\u95f4\u540e\u56de\u5230\u4e86\u610f\u5927\u5229\uff0c\u4e4b\u540e\u4ed6\u7684\u827a\u672f\u4f5c\u54c1\u53d1\u751f\u4e86\u5f88\u5927\u7684\u53d8\u5316\uff0c\u5b83\u4eec\u4e0d\u518d\u662f\u50f5\u786c\u7684\uff0c\u6b7b\u677f\u7684\uff0c\u590d\u6742\u7684\u800c\u66f4\u63a5\u8fd1\u4e8eWols\u7684\u7814\u7a76\u5f62\u5f0f\uff0c\u53d8\u5f97\u66f4\u52a0\u653e\u677e\u548c\u5ef6\u5c55\uff0c\u5c31\u50cf\u5728\u7f6e\u8eab\u4e8e\u8377\u5170\u5927\u81ea\u7136\u7684\u611f\u53d7\u3002 1963\u5e74\u4ed6\u642c\u53bb\u4e86\u7f57\u9a6c\uff0c\u540e\u6765\u88abMaurizio Calvesi\u9080\u8bf7\u62c5\u4efb\u56fd\u5bb6\u7248\u753b\u9986\u7684\u9986\u957f\uff0c\u5728\u90a3\u4ed6\u5f00\u8bbe\u4e86\u4e00\u4e2a\u7248\u753b\u5de5\u4f5c\u5ba4\u76f4\u52301967\u5e74.\u8fd9\u4e9b\u5e74\u4e3a\u4e86\u80fd\u8ba9\u4eba\u4eec\u4e86\u89e3\u4ed6\u65b0\u7684\u827a\u672f\u601d\u60f3\uff0c\u4ed6\u505a\u4e86\u8bb8\u591a\u5c55\u89c8\uff0c\u5e76\u4e14\u57281979\u5e74\u51fa\u4e86\u4e00\u672c\u5173\u4e8e\u5e72\u523b\u7684\u4e66&#8221;Il gesto e il segno&#8221;\u3002\u4ece1964\u5e74\u52301969\u5e74\uff0cStrazza\u4e5f\u5728\u96d5\u5851\u9886\u57df\u505a\u8fc7\u4e00\u4e9b\u5c1d\u8bd5\uff0c\u4e3a\u4e86\u505a\u96d5\u5851\uff0c\u4ed6\u7528\u8fc7\u5f88\u591a\u6750\u6599\uff0c\u6bd4\u5982\u94c1\uff0c\u5851\u6599\uff0c\u94dd\u7b49\uff0c\u5728\u8fd9\u6bb5\u65f6\u95f4\u4ed6\u4e0d\u518d\u4e13\u6ce8\u4e8e\u4e8c\u7ef4\u7a7a\u95f4\u7684\u521b\u4f5c\u800c\u66f4\u4e13\u6ce8\u4e8e\u7528\u575a\u56fa\u7684\u6750\u6599\u505a\u51fa\u7684\u4f5c\u54c1\u3002 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